Artist Feature



By  Olivia
15th December 2014

Phil Ashcroft aka. Phlash cites British landscape painting, Japanese woodcuts and Marvel comics among his influences. Each are clearly visible in the artist’s output of surreal landscape scenes that display the graphic forms and customary cropping of Japanese woodcut and comic book cells alike.

In line with the his signature ‘Yeti’ motif, Ashcroft has worked on projects for the British Film Institute’s re-release of the classic movie ‘Godzilla’, alongside commissions for Amnesty, Nike and Sony PSP. In 2010 he painted live at Tate Modern’s Turbine Hall as a member of ‘The Scrawl Collective’ as part of the 10th anniversary of independent art initiative, ‘No Soul for Sale’.